For IN SITU ART CLUB, Aude Herlédan reflects on the genesis and creation of Le Temps des Promesses , a work completed in September 2025. She shares its interpretive keys, technical choices, and underlying intentions, offering readers privileged insight into her creative process. “When I began working on Le Temps des Promesses , I knew the piece had to operate on several levels of interpretation. The first reading is immediate. Le Temps des Promesses  can be seen as a landscap

Hakanai Sonzai #4, © Pierre-Elie de Pibrac " Hakanai Sonzai #4" , which could be called “Room with a View of Mount Fuji, Yamanashi Prefecture,”  was taken on March 31, 2020. It is the second part of a trilogy I began in Cuba in 2016, documenting the last sugarcane cutters, and which concluded in Israel in 2025. This trilogy explores human resilience through singular lives. In Japan, I developed the series Hakanai Sonzai , which literally translates as “I feel myself a fleetin