Eleanor Lakelin is a Welsh sculptor who transforms rare woods into forms that reflect time, growth, and memory. In her London studio, she blends traditional craftsmanship with an intuitive, patient process that follows the natural character of each piece. Her sculptures are held in major public collections including the Victoria & Albert Museum in London, the Museum of Arts and Design in New York and the Museum of Decorative Arts, Oslo.

Caroline Ruffault is a French photographer whose work examines liminal spaces and the transformation of landscapes through human activity. She combines documentary practice with experimental darkroom techniques to reveal hidden dimensions of the places she photographs. In December 2024, I made this photograph as part of my series "The Sky is Bigger in Texas." There I met Schuyler Wright, a Texas rancher who guided me across his land, to places where no one would dare venture

With Valentina, photographic artist Constance Jaeggi offers a portrait that is both intimate and political.

French artist Romain Froquet develops a practice nourished by travel, immersion, and a direct engagement with material. For several years, the West Texas desert—particularly the Marfa region—has played a central role in his work. For IN SITU ART CLUB, he reflects on the genesis of his embroidery project.

For IN SITU ART CLUB, Aude Herlédan reflects on the genesis and creation of Le Temps des Promesses , a work completed in September 2025. She shares its interpretive keys, technical choices, and underlying intentions, offering readers privileged insight into her creative process. “When I began working on Le Temps des Promesses , I knew the piece had to operate on several levels of interpretation. The first reading is immediate. Le Temps des Promesses  can be seen as a landscap

Hakanai Sonzai #4, © Pierre-Elie de Pibrac " Hakanai Sonzai #4" , which could be called “Room with a View of Mount Fuji, Yamanashi Prefecture,”  was taken on March 31, 2020. It is the second part of a trilogy I began in Cuba in 2016, documenting the last sugarcane cutters, and which concluded in Israel in 2025. This trilogy explores human resilience through singular lives. In Japan, I developed the series Hakanai Sonzai , which literally translates as “I feel myself a fleetin